Contemporary Worship in a Multicultural Church
I can’t believe that I haven’t written on this before now, especially since this is sort of what I do. Okay, it is exactly what I do. Sometimes I feel like I have no idea what is going on and how to pull it all together. Sometimes I feel like I have a solid handle on what I’m trying to communicate from the stage. After being in many different musical positions in my life, I would have to say that this is the toughest. I was having a conversation with some a couple of weeks ago and they were asking me why I do some songs and don’t do other songs. In this situation the answer was pretty easy: you do what your people can do. But there are a lot of things to consider weekly. Here are a couple that I deal with.
Bringing Cultures Together
I look at this part like solving Rubik’s Cube. You’re spinning around old and young, black and white and Asian and whomever else, traditional and contemporary, male and female and trying to make all those things come together somehow in 20 minutes worth of music. It. Is. Hard. It’s next to impossible to bring them all together, and most weeks you can’t. For one, there’s hardly ever enough time. But even more than that, unless you have an hour long show you are not going to make everyone happy. When you spend your time trying to make sure that everyone is happy, you’ll find that know one is. Including you. Your best bet (which is ALWAYS your best bet) is to listen to God’s voice and let him tell you what needs to be conveyed through the music and then you play that. Let the chips fall where they may. Sometimes that’s David Crowder. Sometimes that’s William McDowell. Sometimes it’s Isaac Watts. It’s a wild party in my head, but with every wild party there’s usually good music.
Blending Styles
There are some similarities between this one and the first one, but this applies more to the way a song is arranged. I personally love to mix up the arrangement of a song. That’s one of the easiest ways to make a song accessible to different types of people. Of course, this also one of the more dangerous moves on a weekly basis. Why? Well, I call this one The Sing Off effect. If I haven’t said it before, this is by far my favorite show on all of television. I wish I was on everyday so I could keep getting ideas and hearing what these amazing people can do with their voices. One of my favorite things about the show is the fact that these groups with different styles have to find a way to approach multiple genres of music, sometimes in the same night. I find myself having to do that on a weekly basis to give things some variety. It’s a fun and it allows me to branch out. But there’s a lot of care taken since an arrangement could either really shine or flop. It’s one of those risks you have to take.
Letting Christ Be The Star
You would think this wouldn’t be a big deal to keep in the forefront. However, sometimes as musicians we work really hard on a project or an arrangement and then we take things personally good or bad. If a song goes real well and people give compliments then it can be difficult to step out of that feeling of “yes, I put in a lot of hard work that you would never understand to make this be something that you would enjoy”. Whether you are in a multicultural church where people are looking for variety in almost every chord or straight Sunday morning gospel or the Chris Tomlin Pandora station, this NEEDS to be your major focus. Otherwise you’re a thief and you’re trying to rob the kingdom of the glory that should be headed that way.
Are there any other worship pastors that are leading in my type of situation? What are your thoughts? How much do these thoughts translate to leading in general? What about those of you that aren’t on the stage weekly? How do you gauge what you hear when you go to church?
